Two years running! |
For the second year in a row, I've read 100 books in 12 months. That number used to be what I considered a minimum annual number for me, but as chronicled here at The Earliad, my speed and focus have diminished somewhat with the growing responsibilities and waning capabilities of middle age. Maybe I'm rebuilding to what used to be my old normal?
In 2024, I read
- 83 works of fiction and 17 works of non-fiction
- 52 science fiction novels, 15 Star Trek media tie-ins, 11 mainstream, three horror, and two fantasy
- 33 books by women and 67 books by men
- 28 books from the 2020s, 18 from the 2010s, 18 from the 2000s, 13 from the 1990s, six from the 1980s, eight from the 1970s, 4 from the 1960s, 3 from the 1950s, and one each from the 1940s and 1890s.
- Eight books by Hugh Howey, six by Catherine Asaro, four by Stephen Baxter, and three each from Robert Silverberg, Jo Walton, and Connie Willis
Walden Two was something of a curiosity for me this year, so I'll turn to the books that really impressed me (for good or ill) in 2024:
- The Ministry for the Future, Kim Stanley Robinson, 2020. This near-future SF novel begins with a catastrophic heat wave in India that kills millions and triggers, at last, serious global action on climate change. It's a harrowing read, because Robinson describes an all-too-plausible future of diminishing resources and increasing violence. The titular Ministry is tasked with overseeing a kind of holding action against the collapse of civilization, and he goes into some fascinating detail about the societal changes required to achieve a best-case scenario that, from our perspective today, remains terrifying to contemplate.
- System Collapse, Martha Wells, 2023. Another Murderbot tale, yay!
- Demon Daughter and Penric and the Bandit, Lois McMaster Bujold, 2023 and 2024. More Penric and Desdemona adventures, yay!
- The Road to Roswell, Connie Willis, 2023. A lovely comedic tale of love, aliens, and UFO enthusiasts pratfalling around the deserts of the US southwest. Seems timely in the wake of all the UAP buzz in the news this year.
- Shift and Dust by Hugh Howley, 2013. I read Wool, the first of Howley's Silo books, way back in the teens, but only finished the series this year. I really enjoyed Shift, which explains the origins of the mysterious silos, and Dust was a satisfying conclusion, though the series epilogue in the Silo collection left something of a bittersweet taste in my mouth.
- Shadrach in the Furnace, Robert Silverberg, 1976. I've been working my way through the Hugo and Nebula nominations for years now, and Robert Silverberg has his share of those nominations, of which I read three in 2024. Shadrach in the Furnace was my favourite, a psychedelic fever dream of body horror, totalitarian dystopia, and state surveillance.
- Never Let Me Go, Kzuo Ishiguro, 2005. In science fiction there are several examples of a peculiar trope involving societies that grow clones strictly to harvest their organs to extend the lives of the rich and powerful. Ishiguro weaves a dreadful poignancy into the trope, gently bringing us into the world of several such clones who are conditioned from birth to accept and embrace their fate. It's heartbreaking, as any such inhuman system should be. Inhuman? No. All too depressingly human, and something that could plausibly happen someday...if it hasn't already in some dark corner of the world.
- Planet X, Michael Jan Friedman, 1998). Not all media tie-in novels are bad. Planet X is bad. Very bad. Imagine a world in which Marvel's X-Men meet up with Captain Jean-Luc Picard of the USS Enterprise to investigate the sudden appearance of new mutants springing up on a non-aligned world in the Star Trek universe. The original X-Men comics have been rightly identified as a solid vehicle for telling stories about prejudice and othering, and that's the theme Planet X tries to take. It's not an awful idea on its face, but the novel reads like a kid playing with random action figures, mashing them together with sound and fury.
World War Z: An Oral History of the Zombie War (Max Brooks, 2006)