As much as I love the performances, the action, the music, and the simple but perfectly effective plot, it's the worldbuilding in Escape from New York (John Carpenter, 1981) that I find most compelling. Through production design, costuming, and dialogue, Carpenter has created a compelling alternate America, a fascist police state made mean by a cold war turned hot and a never ending battle against its own citizens. Carpenter makes it so easy to imagine this plausible alternate destiny for the United States, one that could so very easily still come to be.
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