I first became aware of Bonnie Tyler's "Here She Comes" when I watched the Giorgio Moroder musical version of Fritz Lang's Metropolis on Superchannel in the Main Kelsey lounge of Lister Hall at the University of Alberta sometime in the late 1980s. At the time, the Moroder version was the best cut of the film available; since then, miraculously, virtually all of the film has been restored to something very close to its original form, and that newly restored version will probably stand as definitive for a long time to come, if not from now on. However, the Moroder version still has its charms, and "Here She Comes" is certainly one of the highlights.
Friday, September 27, 2019
Here She Comes
I first became aware of Bonnie Tyler's "Here She Comes" when I watched the Giorgio Moroder musical version of Fritz Lang's Metropolis on Superchannel in the Main Kelsey lounge of Lister Hall at the University of Alberta sometime in the late 1980s. At the time, the Moroder version was the best cut of the film available; since then, miraculously, virtually all of the film has been restored to something very close to its original form, and that newly restored version will probably stand as definitive for a long time to come, if not from now on. However, the Moroder version still has its charms, and "Here She Comes" is certainly one of the highlights.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment